Of all the Korean dramas I’ve watched (which admittedly isn’t that many) Kill me, Heal Me is perhaps my favorite. I’m indulging in a re-watch right now, because I need something comforting at the end of my work days (and am ready for a good cry).
I’ll do a longer post when I’m done to dissect the plotlines, which are interestingly interwoven and complex even if they do roam rather far into soap opera territory. But that’s part and parcel with Korean dramas — if you can’t get down with the melodrama, find something else to watch.
Once you get past the first episode, which is a bit more ambitious than the production crew can pull off — beware scenes set in “America” and the weirdest club crowd I’ve ever seen — the production is above average if a bit cheesy. (BUT WHAT IS A KOREAN DRAMA WITHOUT A LITTLE CHEESE?)
By nature of its story (a man with dissociative identity disorder must sort himself out), the drama lives and dies on the ability of its actors. Fortunately for us, the actors are more than worthy of the work.
It is a testament to the quality of the writing that KMHM can keep emotional coherence while simultaneously careening from gonzo humor to deeply moving pathos. The emotional tenor of the story takes its cues from the personalities embedded within the main character, but instead of taking a dispassionate view of its subject, this drama pushes forward until aspects of each personality infuse the drama.
I also appreciate the contrast between the main heroine, who is loud and played by an actress who is great at physical comedy, and the two main personalities of the hero — one mild, one intense. The juxtaposition of styles keeps the drama from veering too far into seriousness, and keeps it off-balance. The hero and heroine don’t seem to be a good match at first, but grow together over time.
It’s rare that you can find fanvids of great quality from one single drama, both a tear-jerky MV (top) and a laugh-out-loud crackvid (bottom).
Also the costumes are great.