Batfort

Style reveals substance

Tag: publishing

Bits and bobs

I had one of those days. Nothing went wrong, but nothing really went right, either. At work, every 1 task on my to-do list spawned 10 smaller sub-tasks, all vexing. Like finding a weed in a garden—a small looking little guy—and reaching down to pluck it. But instead of coming out cleanly, the roots are part of an underground network that is now disturbed. As you pull up the weed, you pull up three sets of roots that disturb the grass and the flower beds within a three-foot radius. Even when you finally get the weed out of the ground and shake the soil off its roots, you wonder if there are bits left in the ground that will grow other weeds in the future.

Somebody remarked that I describe things very well and make good analogies. That made me feel good.

 


 

This afternoon I received notification that my application was accepted to help crowd-edit Nir Eyal‘s new book, Indistractable. It’s set up as a Google doc, and a bunch of people have access to read and comment on everything from typos to high-level concepts. I’m intrigued by this idea, this crowdsource of edits.

I’ve bought in to a different kind of experiment before, where I paid a small amount to have access and provide feedback on a book while it was being written. I should be receiving a copy of the book once it’s finalized, as well. That experiment isn’t over—the book is still a WIP because the author underestimated the time it takes to write a book—but it’s been an interesting way to experience a book.

I haven’t (yet) read Nir’s first book, Hooked, I’ve read many of his articles on habit-forming technology. I appreciate that he’s taking an opposing approach to a subject that he knows well, arming people against it.

More to come on this.

 


 

In higher ed news, it appears that the Saudi Arabian government is helping their students flee from the US justice system. This is appalling, but I can’t say I’m surprised, based on my experiences working with the Saudi government and its students.

In at least four of the cases, according to the Oregonian‘s reporting, the Saudi government paid the accused students’ bail and legal fees. In the case of Abdulrahman Sameer Noorah, a Portland Community College student charged in relation to a hit-and-run that killed 15-year-old Fallon Smart in August 2016, U.S. law enforcement officials also believe the Saudis provided him with a fake passport to escape the country, likely via private plane, two weeks before his trial.

What bothers me more about this story is that I didn’t know about it before today, and I feel like I should have. Made clear in the comments section: “Thank you, IHE for finally covering this story which has been in the news elsewhere since December.”

Obviously, reading higher ed news is not an adequate source of information about higher ed. (Hindsight: DUH.)

Virginia Woolf ran a publishing house and it’s inspiring AF

When Virginia Woolf was around my age, she convinced her husband to buy a dog, a house, and a printing press. (I have to find a husband before I can convince him of such things, but nobody said we had to do this in the same order.) What started out as a hobby, and a way to dodge harsh criticism from mainstream publishers but still put out books, ended up as a legit publishing house that ran for 30 years and published people like TS Eliot and Sigmund Freud. (And of course Virginia herself.)

Leonard Woolf said that one of the reasons for the success of the Hogarth Press was that they had no overheads. The printing was done in their home, they didn’t pay themselves for their time and any profit they made was always reinvested.

Sounds a lot like running a blog, actually.

I saw some of their early products today. They’re not fancy. The later books were, with dust jackets and cleanly-designed covers. But the early ones? They were simply bound with stitches, with covers printed on colored stock or fabric. Some were really tiny, pocket-book sized (pamphlets, really) while others were normal-book sized.

As their confidence grew, the Woolfs started to sell their books by subscription. They compiled two lists of subscribers, group A, those who would buy all the Hogarth Press publications, and group B, who could be notified of new publications and would then select the titles they wanted.

A subscription model you say? Like, I don’t know, an email list? Gee. I don’t have an email list yet, but perhaps it’s time to start.

Certainly I don’t agree with most of the politics of Virginia and Leonard–and I definitely will not pattern my death after her–but I am absolutely delighted to learn about their press and how they grew it from a tiny little baby into something that had legs and made money and published actual legit works.

Lessons we learn

  1. You absolutely can be an author and publisher at the same time
  2. It’s okay to start small selling to your friends
  3. Don’t be afraid to scale up when the time comes
  4. Always keep track of why you started doing it in the first place

Millennials like hard (copy) news

Now, I’d prefer the mainstream media to shrivel up and die at this point, but it seems that there’s been a un uptick in print subscriptions lately:

Dwayne Sheppard, the executive director of consumer marketing at Condé Nast, which owns the New Yorker, said that he’s also observed a sense of brand identification—but said that, for millennials, it extends beyond social media and into the real world. Those subscribing to the New Yorker can choose between a print and digital subscription or a less expensive digital-only option; Millennials, he said, are opting for print at a rate 10 percent higher than older demographics.

“Millennials are choosing print overwhelmingly, or digital and print,” he said. “It’s a physical manifestation of the relationship. You’re on the subway or you’re in the airport and you’re carrying your New Yorker, that’s another signal of what you care about and what you choose to read.”

Virtue signaling aside, it’s interesting to think about my generation’s relationship with the printed word. We’ve been swimming in digital medial nearly all our lives (as an old millennial, I used the internet occasionally in junior high and high school, and didn’t dive into it hardxcore until I was in college), and print always has held a certain allure.

You definitely see that in fashion magazines, with a thriving indie magazine market that is primarily print-based. Frankie, Kinfolk, Lula, The Gentlewoman, etc. You have to pay more per issue, certainly, but what you get is less Condé Nast-style product pushing and more thoughtful. Of course, that comes with a side of pretentiousness all its own, but nothing’s perfect.

I suspect that part of the motivation is a yearning to be connected to something with deeper roots than just the internet (I see it in myself also with my attraction to the liturgical church over the feels-based churches that have been workshopped to reach my generation), and print is a way to do that.

Regardless of how print and digital are intertwined, print-only feels like opting out of the system.

I’ve had a fascination for the printing press and “book arts” since I learned about them in my graphic design classes way back, and have daydreamed about what it would be like to put together a conservative (for college me, now would be alt) pamphlet-style publication and distribute it.

The rise of alt-media has felt like maybe that’s not necessary. But if deplatformings continue, maybe it will be.

I like the option we have of the online-based payment system with a print-based distribution system.

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