Chen’s solo album flows like cool water. It’s a clean break from the EXO R&B vibes—Chen continues exploring his own musical personality with his first mini album, April, and a flower.
Our ‘Nature Boy‘ comes through with simple arrangements, focused mostly on piano and vocals. He wrote the lyrics for one of my favorite EXO songs, ‘Lights Out,’ and again contributed lyrics to ‘Flower’ on this album.
Chen shines in this arena. He’s at his best in songs like ‘Nosedive,’ with a focus on rest and refreshment.
I wouldn’t exactly call April, and a Flower an album of lullabyes, but it is a very easy album to listen to. ‘Lights Out’ was my go-to sleepytime music for a few months, and this mini-album is just the thing to put in your ears when you’re tired and worn down.
For a few minutes, you can run with Chen’s voice over sunlit, grassy fields with the wind gently blowing your hair.
Part of me was scared that this mini-album would be full of overwrought, cheesy ballads—but it is not. A+++ for keeping the arrangements sparse, keeping with the spare and natural visual aesthetic.
This mini-album’s biggest weakness is the flipside of its strengths. The songs flow a little too easily. They don’t stick in my head, but slide through in a moment of peacefulness that I can’t remember five minutes later.
I’m not sure that I would remember the title track, ‘Beautiful Goodbye,’ if I heard it out of context.
That said, the album has a great shape, building from lighter songs through an ~emotional journey~ to more impactful songs at the end.
On ‘Sorry Not Sorry,’ I’m happy to hear a descant above Chen’s vocal line. He usually takes care of high notes and descants in EXO’s material, so it’s nice hearing him get to take the melody for once, with the string sections getting the harmony.
I could swear that Chen is channeling Big Bang’s Taeyang on ‘Love Words.’ The song is great—perfect execution of drums in a ballad—but it gives me such Taeyang vibes. Maybe that’s the influence of the songs’s composer, Kenzie.
My favorite song on the album is ‘Portrait of You.’ It’s cinematic. It’s emotional. The melody moves through so many different textures and sections—the piano is a voice, not just accompaniment. (But this is expected: it was written by the brilliant Andreas Johansson.)
Such a perfect ending. I’d drift off to sleep to that song anytime.
Overall, I think this is a very Chen album, which is a good thing—though I wish that somehow they had worked enough hooks in amongst the calm to help me grab onto the songs. It’s good for him to differentiate himself from all the hype that surrounds EXO—and this album is about as opposite as you could get from that.
I have a feeling this will grow on me. It’ll definitely have a place in my earbuds the next time I need an oasis of calm.
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