Batfort

Style reveals substance

Tag: aesthetics

Taeyong is an aesthetic unto himself

Just when you thought he couldn’t look even more like an anime character…

Taeyong of NCT at the 2019 Idol Star Athletic Championship

He goes and matches himself to the field and the NCT lightstick. SMH.

My eyes are happy to look at the reds and greens and neon yellows, all nicely saturated and balanced. Even the vaguely repeating stripes of the track and his tracksuit scream harmony. This picture is so complete. There’s nothing superfluous or distracting, simply great content. And you can imagine him skipping along, hair bouncing.

Taeyong has long been known for looking like an anime character. His bleach-white hair in NCT’s debut video (“The Seventh Sense“) started comparisons to the character Jack Frost. Taeyong responded by dressing as Jack Frost for SM Entertainment’s annual Halloween party. The next year, he went as a Cardcaptor Sakura character.

Gotta love a guy who knows his strengths and plays to them.

I was wrong. NCT U has reappeared.

A while back, I gave nicknames to all the debuted NCT units.

NCT U will never see them again

NCT 127 members to keep track of

NCT Dream of getting bigger than EXO someday

I was wrong. (Sort of.)

NCT U just reappeared on SM Station.

Although it’s great to see them back again, I don’t love the song. SM has been doing a lot of thin, light compositions lately. Sometimes they work well, like Red Velvet’s “Peek-a-Boo.” Other times, not so much. This is one of those times. I think it’s because the melody is quite monotonous–not in the sense that it repeats, but in the sense that it hovers around the same note. Taylor Swift does this a lot too.

I appreciate the aesthetics of the music video, although I question the heavy use of filters. The moody lighting and the botanicals are so very delightful. I would like a carpet that is a bed of moss.

All that said, SM Station is the delivery vehicle for one-offs. That means NCT U probably isn’t coming back any time soon. But really, the vocal-centric NCT U is essentially the NCT 127 vocal line so…whatever. We’ll see them again. The rap-centric NCT U is where it’s at but I suspect they are gone for good. :’-(

 

In other news, apparently various NCT members are in the Ukraine filming a new MV.

Mark, Doyoung, and Jaehyun are in Ukraine. I think that’s Taeil behind them. And then we have Taeyong and some rookies, Lucas and Jungwoo. I don’t pay attention to SM Rookies, TBH, but it looks like we’re going to get some new debuts.

Jaehyun took a leave of absence from NCT Night Night (Red Velvet’s Wendy is filling in), but Johnny did not.

Johnny, Yuta, and Haechan participated in the Idol Athletic Championships so obviously they’re not participating in whatever’s going on in the Ukraine.

I was hoping against hope that rap-centric NCT U (rap) would be making a comeback, but alas. Ten seems to have disappeared off the face of the earth, which also dashes my hope for a Ten-centered NCT unit based out of Thailand.

Maybe we’re getting NCT U-kraine. Hah.

The K-drama Black Knight was recently filmed in Slovenia, now NCT is filming in the Ukraine. Interesting micro-trend.

The necessity of charm

A few last thoughts on The Perfectly Imperfect Home.

I’d never thought about graciousness being a component of home decorating, but now that it’s been brought up, it makes a lot of sense: “Why bother with a quaint relic of a time when people communicated principally by letters? This is why: because like lunch on the lawn or a candlelit dinner, sitting down at a proper little table is entirely gracious. It is about the necessity of charm.”

We like to be charmed. A little charm in our lives means that there’s enough extra energy and thought to be channeled into something that’s not quite practical.

Another passage that charmed me is this one describing the philosophical differences between schools of decorating:

The stern Sister Parish used to engage in a practice her employees termed “traying” in which she went around a new client’s house with a tray scooping up all the tchotchkes, figurines, bibelots, and knickknacks she deemed superfluous. Tough, but necessary. If it’s not beautiful, useful, or meaningful, you might as well lose it. And then the arranging can begin.

Decorators obsess over how to wield our decorative objets. On the frontlines of style, the tablescapers face off against the tchotchkeyites. The tablescaping aesthete believes in clustering like objects together to create a strong visual statement, while the savvyless tchotchkeyite tends to disseminate objects all around the room, diminishing their impact and creating a sense of bitsyness.

One can–almost–see in the authors description of the tablescaping aesthete a purpose for figurines and other decorative objects. I can see my own antipathy to figurines in her description of the savvyless tchotchkeyites.

This passage almost–almost–has me convinced to hunt down a motherload of knickknacks with which to decorate my tables.

After all, a tablescape without its decorative objects is nothing.

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