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Style reveals substance

Tag: EXO-CBX

In praise of the k-pop dance practice video

My favorite genre of k-pop videos is the dance practice.

“Why is this?” I can hear you asking. “Why would you watch the practice video when you could watch the polished video?”

Well, my friend, I am glad you asked. There are so many reasons.

  1. Since it’s a practice, everyone’s wearing casual clothes and I don’t get distracted looking at the styling. Since k-pop costumes have a lot going on, it can take a lot of focus to sort out the individual and group dynamics going on in any given stage.
  2. The camera may zoom in and out, but in general it keeps to the same angle, with no cuts. This lets me see the choreography as it was intended by God, nature, and Kasper. I can see the full formation changes that you cannot in the frenetic jumpcuts that plague the live music shows.
  3. Since it’s a dance-focused video, there’s a better chance of watching the group dance full-out. K-pop groups don’t always dance full-out in performances because they have to sing, too, so if you want to truly appreciate their dance abilities, watch the dance practice.

I particularly like EXO-CBX’s “Blooming Day” dance practice, mostly because the choreo is so good. The formations trade off between three sets of three and many variations of the dancers flanking Chen, Baekhyun and Xiumin. The chreo is a mix of legit dancing and jokey dance moves that suit the song and the group.

Unlike some of EXO’s choreography that runs counterpoint to the main melody of the song (see the “Monster” dance practice below), this choreo reinforces all the main sections and rhythms of the song – but it works with the theme.

Another dance practice I particularly enjoy is EXO’s “Monster.” If I’m being honest, I prefer the dance practice to the actual m/v, although I do like the dance performance video as well.

This one is a little more produced, with the heavy backlighting and the camerawork, but it’s still pretty simple. What makes it special is that it lets the choreography shine.

To finish this post off, we’ll turn to something cute: Twice. The “TT” dance practice is how I learned all of their names, so it has a special place in my heart. And if we’re going to go for girlgroup choreography, Twice is one of the better groups. They’re the least self-conscious.

And the “TT” choreography is just as catchy as the song.

Tuesday is a Blooming Day

Ah, EXO-CBX. So good to see you again.

One of the things that I like most about Korean entertainment is that quite often they pull off tropes that would be tacky, cheesy, or otherwise embarrassing in a Western context. This happens in a variety of media – dramas, movies, music.

In this case, the hook for “Blooming Day,” the title track of EXO-CBX’s new mini-album, sounds AWFUL on paper.

Can I be your boyfriend, can I?

And yet, CBX make it work with their smooth vocals. The “ask” is over-the-top, but the presentation is low-key enough in the vocals and music (even the video isn’t overtly sexy) that the question sounds matter-of-fact rather than desperate.

My favorite part of this song is the bridge, which reminds me a little of “Forever” from The War album, the way that it goes full minor key and feels a bit inside-out.

As expected from SM and EXO, CBX’s second mini-album is full of complex pop songs. This album is built for grooving. Chill, but built on a layer of that 70s funk bass that permeated CBX’s first mini-album. Some of the music is super-nostalgic to me – really nice 80s synths – but coupled with modern beats so nothing feels like a retro throwback. It’s a really easy album to listen to. I’m especially fond of “Monday Blues,” “Blooming Day,” “Thursday” and “Vroom Vroom.”

As with their previous album, this one is tailor-made for working, single women – so much this time that there’s a track for every day of the week, from “Monday Blues” to a “Lazy” Sunday. SM continues its full-court press with the “virtual boyfriend” trope.*

This only works because of Chen, Baekhyun, and Xiumin – the most flirty and shameless members of EXO. CBX are energetic and playful, so their subunit appropriately explores happier types of music that regular EXO would never try out. Regular EXO has a mysterious image to maintain, after all. (Can you imagine DO trying to pull this off? Never gonna happen.)

Anyhow, I enjoy this mini-album a lot. The aesthetics are great, and I’m probably going to do a post soon breaking down one specific set of outfits because I like them so much. The music is good. Most of the songs are good (and none of them are bad.)

It is impossible to be sad while listening to EXO-CBX.

And that is a good thing.

 


*I have a theory that SM is feeling a tad threatened by BTS aka the internet’s preferred virtual boyfriend. There’s been a lot more overt fanservice and fantasy-building in regular promotions, which was usually reserved for fans only in concerts and fan events. Specific examples include the choreography for EXO’s “The Eve” and the cringefest that is NCT 127’s “Touch.”

Why I’m excited for the new EXO-CBX album

Guys, EXO-CBX is coming back. Soon. Yay!

For those of you who find my blog through other means than K-pop, sometimes groups that have many members will release an album (or video or mini-album) with a smaller subset of members. This is called a subunit. Because these subunits are typically members who work well together both musically and in personality, these subunits are often more defined and pronounced in mood and concept.

EXO-CBX is one of these subunits. EXO as a whole is currently 9 members, with 8 actively promoting in Korea. (One member, Lay, is promoting in China.) As one of the biggest k-pop groups promoting today, EXO’s music (moreso their title tracks – the ones with music videos) tends to be very “classic.” [Edit: Lies! I just remembered that Wolf exists.] Even when the concept pushes boundaries – like Kokobop’s reggae-influenced drug fantasy – the concept has to be big enough to fit every member’s style and personality, from Suho the Rich Dad to Chanyeol the Creative Dork.

But herein lies the brilliance of CBX. As the three-letter acronym might suggest, CBX consists of 3 members:

  • Chen, a superb vocalist and lyricist
  • Baekhyun, another fantastic vocalist
  • Xiumin, arguably one of the better dancers in the group and, as we discovered on EXO-CBX’s first mini-album, a pretty good rapper with a unique voice

All three are positive, goofy people who can handle a “cute” image well. Chen and Xiumin border on cartoon-character levels of caricaturability, and  Baekhyun is a complete chameleon when it comes to looks. They make a very good team that, while vocal-centric (not that anyone is disappointed with that), is quite balanced in terms of talent.

And – this is the part I like – their releases tend to mirror their personalities in being upbeat and a little bit funky.

I will not lie, I had their first mini-album, “Hey Mama!“, permanently on repeat in my car for entire month of November and again in February. You can’t not be in a better mood after listening to them sing at you, especially with SM’s fantastic musical arrangements in the background. SM is really great at funk-type music and sometimes they get a bass line going real good. I like that.

Anyway, EXO-CBX is in the teaser stage for their next comeback. If the music sounds anything like how the teasers look, this will be the perfect spring album.

I think we all need more fun in our lives.

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