Batfort

Style reveals substance

Tag: photography

Photo editing impacts fashion styling

It’s the power of cropping, folks.

I never realized what I huge difference the crop can make. The potential difference is rather obvious when it comes to composition (at least, for any of us 90s kids who grew up watching the “formatted for your TV” version of so many movies — I still remember that moment when I realized that the VHS version cropped out 30% of each shot!), since the surface area show of a photo directly impacts what parts of its subject are shown.

However, you wouldn’t think that the crop of a photo would mess with the styling impact of its subject.

You would be wrong.

Now, keep in mind that K-pop groups are usually styled for group effect, so that particular tropes and/or colors are balanced among the members. This outfit set was clearly designed for Wendy at the center (for once!!).

Consider this photo of Red Velvet that was posted on allkpop earlier today.

Top: Yeri, Joy, Irene / Bottom: Wendy, boots, Seulgi

Not bad. They look good — no clashing reds — and other than the fact that plaid-clad Wendy is not in the center of the photo, all seems to be well.

Except…Joy’s black boots. They stick out like a sore thumb. Even though they are similar in shape and tone to Joy and Seulgi’s long dark hair, there is something eye-pulling and offputting about those dang boots. They don’t belong in that sea of red.

As a result, the photo seems off balance. This is exacerbated by the fact that the torsos of the girls in the bottom row have been dramatically shortened by the crop, also lending an off-balance feel.

Here’s the original photo:

Much better, right?

Those boots just fade into the background, leaving a naturally-occuring visual hole that would have otherwise been filled by the dark wood of the stops behind the group.

The girls can breathe, the color palette makes sense — the bottle green floor makes a huge difference in offsetting all that red — and the spacing is not overly formal but still balanced.

This is a picture that makes sense.

The photographer on our side

Hey! It’s not a total hitpiece! Various digs aside, there’s a decent article this week in the Failing New York Times about Peter Duke, a photographer who is sympathetic to the alt-right and alt-lite.

Duke believes in the primacy of visual culture, and most right-wing figures, he says, don’t take enough care to make themselves look good. Newt Gingrich, he tells me, is “disheveled”; Steve Bannon is a “schlub”; Trump’s hair is “problematic.” At the same time, he thinks left-leaning media outlets — which is to say, just about anything other than Breitbart News and The Drudge Report — go out of their way to present the right in a negative way.

To prove his point, Duke edited a photo of the author in the same way that news outlets do to right-wing people. The NYT conveniently left it out of the final article, but Duke helpfully posted it to twitter. 

Personally I kinda like the edited version better. Apparently I like people to look “ghoulish and depleted,” but I think it has more depth, and therefore more interest. Frankly, the author looks more interesting in Duke’s edited photo, and more like a standard-issue beta male in the “normal” one.

It is true, though, that most right-wing political figures don’t present themselves in a visually compelling way. Milo and Ann Coulter aside, most talking heads seems to think that their ideas will stand on their own merit, with no assistance needed from the ethos of the speaker.

Unfortunately, the rest of the world doesn’t work that way.

“There’s this kind of, I think, phony idea that things are objective — when you push the button, that’s the objective reality, and I just don’t think that’s true,” Duke told me, not long ago, on our early evening walk along the bluffs. Duke sees photography as a kind of weapon in the culture wars, and in a way, it may be the perfect medium for a movement like the alt-right, which wants to refashion reality on its own terms. Pictures are, after all, factually malleable vessels that do not present reality as it is but suggest an alternative one as the photographer sees it.

This is the second time in the article that the author insists that the alt-right is creating alternative versions of things (which is true) because the alt-right’s version of reality isn’t true. This is completely false. The alt-right is more aligned with objective reality than the NYC liberal bubble, but to those (like the author) inside that bubble, it doesn’t feel that way.

A photograph can be a “lie that tells the truth,” or it can be 100% deception. Without sympathetic photographers, who know how to wield angles, light, composition and photoshop to our best advantage, the right wing, in any of its forms, is at a severe disadvantage. I’m glad we have Duke on our side. There is much to learn from him.

I must disagree with Duke slightly, though. I think Trump’s hair is genius.

But that is another post for another day.

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